About

Embracing the ‘found objects’ ethos embodied in Stockhausen’s Telemusik (1966), recent pieces by Elaine Chew, Peter Child, Lina Viste Grønli, Cheryl Frances-Hoad, and Dorien Herremans draw inspiration from the rhythms and a sight-reading of a Haydn Sonata movement. Jonathan Berger’s Intermezzo (2015), a UK premiere, was created for Pedja Muzijevic’s Haydn Dialogues.

Toccata in D major BWV 912 by Johann Sebastian Bach

Stolen Rhythm (2009) by Cheryl Frances-Hoad / Franz Josef Haydn

Practicing Haydn (2013) by Elaine Chew, Peter Child, Lina Viste Grønli

Intermezzo – for Pedja (2015) by Jonathan Berger

MorpheuS Haydn (2016) by Dorien Herremans, Elaine Chew / Franz Josef Haydn

Sonata in E-flat, Hob XVI:45, finale  by Franz Josef Haydn

Pianist-mathematician Elaine Chew is Professor of Digital Media in the Centre for Digital Music at Queen Mary University of London. Deeply passionate about communicating not only her art, but also how and why musicians do what they do, she designs boundary-crossing concert-conversations that challenge the ways we think about and make music. Also an award-winning scientist, she frequently gives keynote lectures on her mathematical work on musical expression and the music structures that shape expressivity. 

General Information

Guests with Mobility Impairments

Guests who use a wheelchair or experience mobility impairments are asked to call the box office on 01273 678822 or email info@attenboroughcentre.com so that we can assist you to find the best seat to suit your requirements.

Box Office Opening Times

The box office (phone line and drop-in service) is open from 10am to 4pm, Mondays to Fridays. The box office is also open one hour before the advertised show start time.